By Annika Breinig, with thanks to Daniel Magennis
When watching Polizeiruf 110 today, audiences could easily mix it up with the West German Tatort.
These series are broadcast at the same time and on the same channel. They share similar approaches to narrative structure and production, and concentrate on the same themes and motives. There are few signs indicating that this show is the only survivor of German Democratic Republic television, with beloved children’s program Sandmännchen another example. Although at the beginning the series was meant to be a GDR equivalent of the West German Tatort, it distinguished itself from its model in many ways, not the least of which was its treatment of political issues. Continue reading