(Iconographic Source; http://bookscans.com/Publishers/signet/signet.htm)
The New York based publisher, The New American Library was formed in 1948 and soon became the biggest American publisher of paperbacks. Both of its founders, Kurt Enoch and Victor Weybright had experience with the European pioneers of the mass market paperback industry, the British Penguin and the German Albatross, which Enoch had launched in 1932 and directed. Signet fiction was a particularly successful imprint of The New American Library. The paperback reprints it published included (but were by no means restricted to) a number of classics in the noir genre. The series’ distinctive visual style owed much to the influence of the artist James Avati. Dubbed “The Rembrandt of Paperback Book Covers”, often reminding one of Hopper’s bleak style, he drew many of the series’ covers and inspired the other illustrators commissioned by Signet.
Here are a few examples of this remarkable form of 1950’s American Art, of the atmosphere they conjure, the spirit of the time they evoke, and of the novels over which they cast their spell.
For (thousands) more visuals, check out the amazing BookScans website, a free online reference database “Graphically illustrating the evolution of Vintage American Paperbacks – 1939 through 1959 (and beyond)” at http://bookscans.com/Database.htm