This year NOIRELAND Festival will take place on the 28th March.
Bestselling authors including Liz Nugent, Mark Billingham and Ann Cleeves are scheduled, as well as a special screening of Odd Man Out, the original Belfast Noir, and a creative morning for aspiring crime writers. This year’s NOIRELAND will also feature exclusive early releases from Steve Cavanagh, Brian McGilloway and Jane Casey. Plus, a preview of Adrian McKinty’s new Sean Duffy novel at Jack-a-noir-y.
Northern Irish crime writers have been exploring issues relating to the landscape of the Troubles for decades within the confines of a genre that is well-placed to provide close examination of social, economic and character-driven concerns. The success of Anna Burns’s Milkman has brought attention to Northern Irish writing, with some saying now is the time, post-Good Friday Agreement, to explore the complex issues.
When Milkman won the Man Booker prize it was heralded as a win for Northern Irish literature. Yet the attention the novel’s success has brought to the Northern Irish literary scene has been met with partial disdain. After all, the Northern Irish crime-writing fraternity has been producing work that explores the complexities of social unrest and political division for decades. Writers like Adrian McKinty, Anthony Quinn, Stuart Neville, Claire McGowan, Gerard Brennan and Brian McGilloway have made great use of writing about life in a trigger-happy society, with the inherent socio-economic problems providing plentiful material for their work. However, there was something different in Milkman, something that touched a nerve and suggested that now, post-conflict, we were ready to explore our violent past in a new imaginative form.
If ever a place needed retelling, then Belfast is that place. Like most writers, I don’t fully understand anything until I have written an account of it for myself. I feel that it is only now, with time providing distance from the realities of living amidst conflict that we can examine the nuances of how the incendiary atmosphere and ongoing violence has shaped us.
By Daniel Magennis. PhD Student. Queen’s University Belfast.
Adrian McKinty’s Sean Duffy series.
I meet Adrian McKinty in the Piano bar in Belfast’s Europa Hotel – the self-proclaimed ‘most bombed hotel in Europe’ – to discuss his multi award-winning Sean Duffy series, the Northern Irish identity and growing up in Carrick during the darker years of Northern Ireland’s short but turbulent history. Continue reading →