Unique in its kind in Paris (and the world) our partner the BILIPO, in the Latin Quarter, is a public library devoted entirely to Crime and spy literature.
Check the BILIPO webpage on the portal of Paris Libraries
See also: https://bradspurgeon.com/articles-as-opposed-to-posts/bilipo-the-crime-fiction-library-of-paris/
University of Tampere, Finland, August 23-24, 2018
Keynote speakers: Andrew Pepper (Queen’s University Belfast) & Fiona Peters (Bath Spa University)
First Call for Papers
The advent of new technologies and digital media have transformed society and influenced cultural narratives. The changes brought about by technological innovations, digitalisation, and globalisation have affected not only the subject matter and themes of contemporary crime narratives but also the production, distribution, and consumption of crime fiction on the global market, as well as the analytical tools, techniques, research methods, and theories available to scholars. These changes are readily visible in detectives’ digital investigations or in how criminals employ digital technology in committing cybercrimes such as online stalking or theft. Moreover, the potential of digitalisation in modifying crime narratives nowadays ranges from podcasts such as “Serial” to Sherlock Holmes fan fiction to transmedia narration in “Sherlock” and the Twitter adaptation of Agatha Christie’s The Body in the Library. Continue reading
The International Crime Fiction Research Group is glad to present a new online exhibition hosted on the Omeka-based online database “Visualising Crime Fiction,” sponsored by the AHRC (the UK Arts and Humanities Research Council) and the Universities of Belfast, Limoges, and Debrecen, in partnership with the Bilipo. A Brief History of Crime Fiction in Greece was authored by Nikos Filippaios, currently a PhD student at the University of Ioannina, and provides a concise outline of the development of the genre in Greece, with particular attention to the impact of international crime fiction on the local creative industries.
Filippaios starts his overview by stressing the success of the earliest translations of modern popular fiction that arrived from Western Europe in the second half of the 19th century. He then highlights the key transformations of crime narratives in Greece throughout the 20th century, particularly up to the 1980’s, when a new generation of local writers started to use the genre to investigate the troubled national history during the post-war era.
The exhibition is structured in four sections, each dealing with a specific historical moment: Continue reading
With thanks to Benoît Tadié
Jef de Wulf (Publisher’s advertisement for the Luc Ferran Series, Editions de l’Arabesque, 1958-1969)
Until the 21st of March, Queen’s University Library will host an exhibition on classic Crime Fiction, Spy Thrillers and Suspense Series in France. The exhibition showcases some of the 1,500 Crime Fiction books in the French language, which have been recently added to the collections, having recently been donated to the Library by the Paris-based Bibliothèque des Littératures policières (BILIPO) and other partners in the project “Visualising European Crime Fiction”. This project, led by Dr Dominique Jeannerod (School of Modern Languages) together with colleagues in the ICRH Research Group, International Crime Fiction was awarded a grant by the AHRC, as part of the Big Data in the Arts and Humanities Framework (2014-2015)
The project’s chief task was to develop innovative digital methods with which to bibliographically record (database) and visually present (Graphs, Maps, Dataviz) the innumerable volumes of Crime Fiction published across Europe since the early 20th Century. The aim in developing such new digital instruments was to rethink the significance of popular culture and its dissemination in a globalised world. It was also to reconsider the role of crime fiction in a transnational, cultural and literary context. Continue reading
Murder, death, and mystery… Well, who would have guessed? Here is the count of the top six words used in the titles of the 66 mystery novels by Agatha Christie, between 1920 and 1976 Continue reading
San-Antonio in the Spécial Police Series (1950-1972, 79 titles)
(Click to enlarge)
San-Antonio Series (1972-1999, 96 Titles) Continue reading