Event

Trouble Is Our Business: New Stories by Irish Crime Writers

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Fri 25th November 6.30pm, No Alibis, 83, Botanic Avenue, Belfast

An evening of chat about Crime Fiction on the Emerald Isle with Declan Burke, John Connolly and Others

Thrilling, disturbing, shocking and moving, Trouble Is Our Business: New Stories by Irish Crime Writers is a compulsive anthology of original stories by Ireland’s best-known crime writers. Continue reading

The Art of French Crime Fiction

 

Luc Ferran

 

Jef de Wulf (Publisher’s advertisement for the Luc Ferran Series, Editions de l’Arabesque, 1958-1969)

Until the 21st of March, Queen’s University Library will host an exhibition on classic Crime Fiction, Spy Thrillers and Suspense Series in France. The exhibition showcases some of the 1,500 Crime Fiction books in the French language, which have been recently added to the collections, having recently been donated to the Library by the Paris-based Bibliothèque des Littératures policières (BILIPO) and other partners in the project “Visualising European Crime Fiction”. This project, led by Dr Dominique Jeannerod (School of Modern Languages) together with colleagues in the ICRH Research Group, International Crime Fiction was awarded a grant by the AHRC, as part of the Big Data in the Arts and Humanities Framework (2014-2015)

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Conty

The project’s chief task was to develop innovative digital methods with which to bibliographically record (database) and visually present (Graphs, Maps, Dataviz) the innumerable volumes of Crime Fiction published across Europe since the early 20th Century. The aim in developing such new digital instruments was to rethink the significance of popular culture and its dissemination in a globalised world. It was also to reconsider the role of crime fiction in a transnational, cultural and literary context. Continue reading

“Books colonize his mind”: Addictive Crime Fiction in Karim Miské’s Arab Jazz

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Most frequent words in the first chapter of Arab Jazz (Viviane Hamy, 2012), click to enlarge

Arab Jazz, Karim Miské’s multi-award winning novel tells the story of an avid reader. Ahmed is a 21st century Don Quixote, who lives in Paris’s multicultural 19th arrondissement and reads modern chivalric romances, i.e. Crime Fiction. He buys books by the kilo, and stores 2.5 tonnes of them in his flat. His local bookshop is the pharmacy where he finds the remedies for his soul. Sure, these remedies contain a dose of poison too. But he needs them, as the horror and the sick imaginations of others allow him to keep the monsters inhabiting his own head at bay. Some of the books are memorable: Ellroy, Tosches, and Manchette. They rank in his consciousness alongside other considerable books, by Baudelaire, Van Gogh, Artaud, and Debord. He equally reads “vast quantities of Anglo-American industrial thrillers, by Connelly, Cornwell, and Cobain; their names are a bit mixed up in his head”. He often has the impression that he reading the same novel, over and over again; which is exactly what he is looking for. He wants to forget about the whole world and immerse himself entirely in a continuous narrative written by others. Until one day a girl’s blood drips down onto his clothes, and real crime re-enters his life.

Karim Miské will read from Arab Jazz at Belfast Book Festival, on Tuesday :

http://whatsonni.com/event/28575-belfast-book-festival-karim-miske-arab-jazz/crescent-arts-centre