International Crime Genre Research Group 7th biennial conference:
Networks and Connections in the Crime Genre
Friday 26 – Saturday 27 May, 2017
National University of Ireland, Galway Continue reading
Bestselling author and former Sunday World crime reporter Niamh O’Connor gave today a fascinating invited reading as part of the University of Limerick Consuming Crime conference, organised by Dr Marieke Krajenbrink and Dr Kate Quinn.
She has written a number of True Crime books, amongst them, I’m sorry Sir, a recent investigation on “Ireland’s BDSM killer”.
Here are the seven rules, which she gave as advice on how to write Irish Crime fiction stories with traction. Continue reading
The conference on Representations of Rurality in Crime Fiction and Media Culture (ICRH, Queen’s University, Belfast, 15-16 June 2015) hosts acclaimed Crime Fiction authors Andrew Pepper, Anthony Quinn, Brian McGilloway, Gerard Brennan, Leigh Redhead, and Rob Kitchin. Please find here the full Programme
Belfast, Monday 15th June, 6: 15 p.m. No Alibis Bookstore,
As part of the conference on the Rural as a scene in Crime Fiction (conference organised by the Institute for collaborative Research in the Humanities at Queen’s University, Belfast), Brian McGilloway & Anthony Quinn will talk about their work in No Alibis Bookstore, in conversation with author Dr Andrew Pepper. All welcome ! Come and join us !
If you are interested in attending the conference on Interdisciplinary Approaches to ‘Setting the Scene’: Representations of Rurality in Crime Fiction and Media Culture, ICRH, Queen’s University,
Belfast 15-16 June 2015
Please contact : Dr Dominique Jeannerod (firstname.lastname@example.org) or Dr Linda Price (email@example.com)
by Annika Breinig (with thanks to Portia Ellis-Woods and Dominique Jeannerod)
No Alibis : a Bookshop to die for (83, Botanic Avenue, Belfast, BTL7 1 JL) Continue reading
The “Troubles Thriller” is an international genre. Albeit peripheral, and taking place in a small country, the conflict in Northern Ireland has generated a flurry of crime novels set there during the Troubles. In addition to the several hundreds Crime and spy novels written in Britain and in America on the ” Troubles” in Northern Ireland, there have been a number of novels written on this subject by European Crime authors and published in their own countries. These works have very rarely been translated into English (nor, as a rule in many other languages), as they primarily targeted their own domestic market, and sought to offer there a similar fare to the Tom Clancy, Jack Higgins and others who dominated the genre. They might be derivative, but this in itself does not make them redundant. Their take on the conflict is often highly idiosyncratic. They are controversial, but they were read by hundred thousands, if not by millions of readers. The political views they display and the representations of Ireland which they carry are of interest, making the books precious sources for a cultural history of European responses to the situation in Ireland. Continue reading
When asked why he chose to set his first crime novel in the US, Irish writer John Connolly said, ‘Because in Ireland everybody would’ve known who done it within days.’ Exaggeration aside, in the pre-Celtic Tiger landscape of Ireland, this may well have been the case, but it certainly isn’t nowadays as Irish crime fiction appears to be in its prime and becoming a genre of its own to rival our Scandinavian counterparts.
Val McDermid, in a recent Radio 4 programme coined the phrase ‘Emerald Noir’ – but whatever you call it, Celtic Crime or Hibernian Homicide is now gaining worldwide attention. Compared to back in the 1980s when you could possibly name Colin Bateman or Eoin McNamee as famous Irish crime writers, nowadays you have writers such as Tana French, Ken Bruen, Declan Hughes, Declan Burke, Arlene Hunt and Stuart Neville all jostling for the crime spotlight.
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