International Crime Genre Research Group 7th biennial conference:
Networks and Connections in the Crime Genre
Friday 26 – Saturday 27 May, 2017
National University of Ireland, Galway Continue reading
The notorious Tribeca Bookshop at 58, Warren Street, NYC, is famed for its devotion to “all things mysterious, from hard-boiled hardcovers to pulpy paperbacks”. Anyone interested in an overview of the current market of international Crime Fiction in English language will benefit from a virtual tour through its rich collections, including a view of the covers of some 4000 paperbacks. http://www.mysteriousbookshop.com
Frédéric Dard, C’est toi le venin, Translation Sigmun S.Kostøl, Kriminal, 5, Oslo, Zenith Forlag, 1977 (Collection Didier Poiret)
Excellently documented as always, Marginalia devotes this month a special issue to Scandinavian Noir. For all readers of Henning Mankell, Karin Fossum, Jo Nesbø or Arnaldur Indridason looking for more on the context of Nordic noir and eager to discover Scandinavian crime authors old and new, this is a must. Especially as it contains, too, a selected bibliography on works of criticism, such as the recently published book by our friend Kerstin Bergman, Swedish Crime Fiction: The Making of Nordic Noir (Mimesis International, 2014). Readers curious about Swedish Crime Fiction from the 1940’s, such as Sture, Erik Yngve Högberg, Gertrud Stendal, or Stieg Trenter, or about Finnish Authors Mika Waltari (1908-1979) and Mauri Sariola, or about the collaboration of Maj Sjöwahl with Ross Thomas will want to read more…
[Please click the map to enlarge]
The unprecedented scale and enduring nature of the success of the original San-Antonio Series (175 first person narrator Crime novels focused on the investigations of the Parisian Commissaire San-Antonio), published between 1949 and 2000 have been recognised as a significant social phenomenon and “fait littéraire” (Escarpit, 1965). While its importance and meaning to French Culture have been investigated (Rullier, Gautier, Jeannerod and Lagorgette, 2011), San-Antonio is too frequently –albeit with some substance, considered a French singularity. Recent studies (Jeannerod, 2010; Galli, 2014) have highlighted that San-Antonio is much more international than the idiom and characters of his books might lead to believe. In fact, not only do his novels owe to a large intertextual network of international influences, and not only are they set all over the world, they have, too, circulated widely in a number of translations.
The maps reproduced here highlight the places travelled by San-Antonio during the course of five decades of his adventures; they are part of a project of visualisation, which is currently being sponsored by the AHRC, within the framework Digital Transformations in the Arts and Humanities.
Consuming Crime: Consumption, Commodification and Consumerism in Crime Fiction, Film and Television
The Sixth Interdisciplinary Conference of the International Crime Genre Research Network, Ireland is to be held at The University of Limerick, Ireland
Friday 26 -Saturday 27th June, 2015
Crime novels, films and television series are avidly consumed by readers and viewers worldwide, and the crime genre has itself become one of the most successful commodities of modern times, expanding into multiple cultural spaces. The success of this genre of anxiety and reassurance is due, in part, to a fascination with crime and transgression, and concomitantly with justice and security. From its inception the genre has had clear links to the sensationalistic tabloid press, and accounts of true crime are still compelling today. Crime stories are a highly valued product and we seem to have an insatiable appetite for them. In our increasingly global world, we look beyond our own borders to consume accounts of other cultures, societies, people and places – the latter in particular being marketed with specific brand identities such as Nordic noir. Tourism is marketed alongside culture and history in the contemporary crime genre.
The aim of this sixth interdisciplinary conference is to explore the idea of consumption, commodification and consumerism as they feature in the crime genre. Continue reading
The auction catalogue of the Bibliothèque Philippe Zoummeroff shows and contextualises a remarkable collection of some 400 items related to Crime and punishment. Continue reading
The latest issue of the invaluable resource for all researchers in popular cultures that is MARGINALIA, Bulletin bibliographique des études sur les littératures et le film populaires, is devoted to the intertextual and intermedia circulation of the figure of Jack the Ripper. It offers a bibliography of novels and anthologies inspired by the crimes of Jack the Ripper, ranging from historical mysteries, to modern thrillers or serial killer novels inspired by the killer and to speculative fiction, steampunk ,fantasy, etc.
The full 32 pages dossier is available at : https://www.academia.edu/8955333/Jack_the_Ripper_in_Fiction_Les_romans_de_Jack_L%C3%89ventreur
Marginalia is published Four times per year by NORBERT SPEHNER (firstname.lastname@example.org)
You can find the previous issues of Marginalia at : https://independent.academia.edu/NorbertSpehner
Garrett Carr is a writer who has also brought map-making into his work, creating new maps of Ireland’s border. In the conference “The Territorialisation of Crime fiction” (QUB, June 13-14, 2014) he discussed “The Map of Connections”. This is a map of unofficial crossings that he found when exploring the border: footbridges, stepping-stones, paths and lanes. Some may have been used for smuggling, or perhaps just visiting neighbours. None had been mapped before. The Map of Connections charts 77 in total.
Carr has curated Mapping Alternative Ulster, a show of individually created maps by other practitioners as well as himself. It ran in the Ulster Museum during 2014 and will tour to other venues during 2015.