Agatha Christie

Continental Crimes

Continental Crimes

Edited by Martin Edwards – Continental Crimes, British Library, 10/06/2017.

                        A book review by Jonas Rohe, Queen’s University Belfast

 

Continental Crimes is a collection of classic crime short stories from writers of the British tradition which are set, as the name suggests, on the European continent. Edwards’ anthology contains fourteen stories dating from the early 20th century, through the Golden Age of Crime, to the 1950s. The tales are roughly in chronological order by date of publication, starting with Doyle’s The New Catacomb (1898) and ending with Michael Gilbert’s Villa Almirante (1959).  Continue reading

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Crime Fiction in Greece

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Giannis Maris,  Crime In Kolonaki,  Pechlivanidis, 1955

 

By Nikos Filippaios (PhD candidate, University of Ioannina, Greece)

Crime fiction in Greece is characterized, on the one hand, by the strong influence of American and European classics and standards, and on the other by a constant search for a more localized expression. This initial reception of a new literary genre and its final assimilation is an idiosyncratic characteristic of Modern Greek culture, which was shaped by accepting both eastern and western influences. Thus, when crime fiction was introduced as a new genre to Greece, during the first decades of the 20th century, readers were already familiar with its main elements, because one of its precursors, the “roman feuilleton” (or serial) was very popular in Greece during the 19th century, as in other European countries. Continue reading

“Death Wears Yellow Garters” : Chandler on good and bad Detective stories

Trouble

(Raymond Chandler, Trouble Is My Business, Pocket Books 823, 1951 : Cover Art by Herman Geisen)

Compiling a list of chandlerisms is possibly not the most reverent way to assess how the golden age of Crime Fiction was perceived outside from the self-selected happy few of members in the famous “Detection club”. But it is certainly a fun way to start.  Here are a few excerpts from Chandler’s seminal essay (1950) : “The Simple art of murder”.

Every detective story writer makes mistakes, and none will ever know as much as he should. Conan Doyle made mistakes which completely invalidated some of his stories, but he was a pioneer, and Sherlock Holmes after all is mostly an attitude and a few dozen lines of unforgettable dialogue.

Continue reading

World’s Favourite Agatha Christie

Dead Man

What is your favourite book by Agatha Christie? Which are the most popular amongst readers worldwide? Here are a few titles to choose from, as presented on the website http://worldsfavouritechristie.com/books :  This website  asked fans to vote for the World’s Favourite Christie book and will release the results in September.

AGAC

AC

For more information on the vote

http://www.theguardian.com/books/2015/apr/27/famous-fans-vote-for-worlds-favourite-agatha-christie-novel

British Golden Age Authors and the classic age of the American Paperbacks

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Raymond Chandler once wrote “The English may not always be the best writers in the world, but they are incomparably the best dull writers”. Himself a British subject for most of his life and career, one of his most obvious targets, conversely, was eminent author of “British-style” mysteries, John Dickson Carr (alias Carter Dickson), who was in fact an American. This is of course not strictly about nations, rather it is about sub-genres of crime fiction and the different forms and interpretations of its evolution. It is also against a well-recognized literary coterie; “the famous Detection Club, which is a Parnassus of English writers of mystery”. The statement helps to build an opposition, mostly between 1920s English mystery novels (and their authors and their readers), and American Pulp magazines of the same decade (and their authors and their readers). Continue reading