American novel

“Noire is the New Noir” Conference

serie-noire-poster

Saturday November 5th, 2016

Room, C-104, American University of Paris, Combes building,

6, rue du Colonel Combes. 75007 Paris

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Club Del Misterio, Barcelona

Bruguera

The Club del Misterio Series (early to mid-1980’s) predates the Etiqueta Negra Series (mid- 1980’s to mid-1990)Both Series are devoted to Crime Fiction. Both  have appeared post-Franco, and in a cultural context profoundly changed by the Movida. Both have published around 150 books of international Crime Fiction, the majority of them considered classics of the genre. While  Etiqueta Negra is a series launched by a Madrid publisher, Jucar, Club del Misterio belongs to a Barcelona-based publisher,  Bruguera.

Chandler

But the most striking difference is their respective scope. The Madrid publisher puts the emphasis on selection and distinction. There are fewer authors, representing fewer countries, and a distinctive branch within the crime genre, the noir novel. On the contrary, the Barcelona series favours diversity : different subgenres, different authors, different countries.  It is remarkable that the author most published in this series is Italian (Scerbanenco). Rather than American (or Spanish as is at the time the pattern elsewhere, when only local authors seem capable of resisting the American -and to an extent English- dominance). Continue reading

Spanish Crime Series : GP Policíaca

west

The popular  “The Owl” Series (Colección El buho), by the Barcelona publisher Planeta, published household names of international Crime Fiction in Spain in the 1950’s and 1960’s. Such as, for example Dashiell Hammett’s Ciudad de pesadilla (translated by César de Montserrat) in  1958 or  Erle Stanley Gardner’s  El caso de la lata vacía, in 1953 and El caso de la lámpara humeante, in 1957. Another famous Series dedicated to Crime Fiction in Spain at the time of the fascist dictatorship, and one  of the most popular was GP Policíaca .  Published by editorial Plaza & Janés,  in Barcelona, it comprised some 200 novels, from 1957 to 1966. Continue reading

A German “Série Noire”

Fatale

The iconic Série Noire, created in Paris in the summer of 1945,  by  surrealist Marcel Duhamel in order to publish American hardboiled authors, celebrates this year its 70th Birthday.  This is an occasion to look at the influence it had abroad, and beyond America, where it helped defining the noir genre. Continue reading

Crime Fiction in Ullstein Pocket Books

Servais Lorac Kane

Created in the early 1950’s, the series of mass market paperback books Ullstein-Büchern,  started  in the mid 1950’s to offer a  subdivision devoted to Crime Fiction, the Ullstein-Bücher Kriminalromane. This series had  different numbers than the rest of the Ullstein- books, to differentiate them from the general series (Allgemeine Reihe). It started at number  701.  Further differentiation, the big K on the title banner stands for Krimi. This is the mid and late 1950’s, and American authors are now predominant, in stark contrast to the original Ullstein Gelbe Reihe in the late 1920’s and 1930’s.  A canonisation of the noir genre has happened elsewhere, and Ullstein books reflect this.  The two first books published  as Ullstein-Bücher Kriminalromane are  Hammett (Der Malteser Falke) and Chandler (Einer weisst mehr). Hammett’s Bluternte is the sixth volume in the series. Continue reading

CFP : San-Antonio International Representations, Circulation, Translation and Exchanges

San-Antonio  International

15-16 May 2015

 

En avant

Representations, Circulation, Translation and Exchanges

ICRH, Queen’s University, Belfast

 

Contributions are invited to the San-Antonio International : Representations, Circulation, Translation and exchanges conference, organised by the Institute for Collaborative Research in the Humanities at Queen’s University, Belfast (15 – 16 May, 2015) Continue reading