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Rufus King, Holiday Homicide (Dell 22)
Dell books paperback comprised different populargenres, from the Western to the adventure and the sentimental novel. But half or more of them were crime fiction. The maps on their backs merges visually all these genres. After all, the four of them can, to an extent, rely diegetically, figuratively or at least metaphorically on sketches and raw drawings (Treasure island map, carte du tendre, maps of a crime scene or croquis for a heist). More than 250 Dell Books Mapbacks were actually Crime scenes. Crime Scenes without crime, without traces of violence, and almost always without people. A pure material and geographical world. Put all together, they display a great sense of continuity, attributable to the unity of style and colours in the work of artist Ruth Belew (who, according to Gary Lovisi, drew more than 150 of them). The wild, unruly, imaginary space of Crime Fiction looks here tamed, domesticated. Pleasant, harmonious, and perfectly defined squares look like the parts of a puzzle. A puzzle reassuring both in its nature as a game, and for its apparent completeness (although it would be interesting to inspect the spaces, states, counties and countries which are not represented). Continue reading →
The “Colecção Vampiro”, published from 1947 by Editora Livros do Brasil, in Lisbon, was one of the very fist series of Crime Fiction paperbacks in Portuguese. It was certainly the most popular. The “Masters of detective fiction” published there showed a large emphasis on English and American authors. The notoriety of the authors seemed of rather more importance than a clear definition of the sub-genre of crime Fiction the books pertained to. Agatha Christie and Dorothy Sayers appeared alongside Hammett and Chandler; Wallace with Simenon; Van Dine with Ellery Queen. The latter, and the likes of Erle Stanley Gardner were the most represented. While a close contemporary of Gallimard’s “Série Noire” (created in 1945) Vampiro was editorially much closer to Le Masque (Librarie des Champs Elysées, 1927). Vampiro favoured novels of deduction and investigation over hardboiled noir. Continue reading →
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A simple wordcloud, when it displays hierarchically structured information, can tell instantly something both very significant and onerous to establish otherwise. One would have to browse through hundreds of bibliographical data and to sort them, before being able to discover what the cloud above suggests simply and immediatly.
The author who published the most books in the Penguin Crime Club, the famous British pocketbooks publisher’s subseries devoted to the classics of crime fiction, is actually not Agatha Christie, nor a member of the detection club, nor any British author. Neither is it one of the prolific American masters, such as Ellery Queen, or Erle Stanley Gardner. It is actually Georges Simenon, with 48 books published under the universally recognised green cover.
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This words-Viz is based on the titles of the first books published in France, in the Series “Le Masque”, from 1927. Most books were translated from the English language, as the publisher claimed (somewhat disingenuously), that there were not enough Crime Fiction Writers in France at the time. Continue reading →