Pierre Souvestre and Marcel Allain, Fantômas , Marcel Brentano’s, 1915
The Circulation of French language crime fiction in America starts with Gaboriau, and before him Vidocq (whose Memoirs, first published in Paris 1828-1829 by Tenon, Libraire-Editeur, owe much to fiction, and in turn would influence Balzac and most of 19th Century writing on crime, and early crime novels). It is in America that Gaboriau’s L’affaire Lerouge, his first detective novel, published in Paris in 1866, first appeared in English translation (in the 1873 Boston Edition reproduced below). Continue reading
The paperback Series Colección Serie Negra Policial-Misterio (Black Series, Police Mystery) was published in Barcelona by a consortium of publishers (Barral, Tusquets, Península & Laia) between 1972 and 1976. It consisted of 60 classics of crime fiction, from, among others Poe, McCoy, Chandler, and Ruth Rendell. While American crime fiction is very well represented, and English writers a little less so, it is interesting to note that French authors actually form majority in the series. They range from Balzac, to Gaboriau, to Manchette (La Lunática en el Castillo), Klotz, Kassak and Raf Vallet.
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Edgar Allan POE (1809-1849) The Murders in the Rue Morgue (Graham’s Magazine, Philadelphia, 1841)
Total of 13,724 words and 2,847 unique words. Most frequent words in the corpus: voice (42), said (35), Dupin(27), house (26), head (24).
Emile GABORIAU (1836-1873) L’Affaire Lerouge (Le Pays, 1863; Paris, Dentu, 1866; The Widow Lerouge, 1873)
Total of 123,867 words and 8,792 unique words. Most frequent words in the corpus: said (450), old (443), Sir(351), Noel (311), man (288).
Emile GABORIAU (1836-1873) Le Crime d’Orcival (1867), The Mystery of Orcival
Total of 103,639 words and 8,452 unique words. Most frequent words in the corpus: said (532), Lecoq (322), Plantat (307), man (252), know (230) Continue reading