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Yellow covers in Spain : The Biblioteca Oro

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Sax Rohmer, El Diabolico Doctor (Biblioteca Oro, 35, 1935

It was not long before  a Spanish publisher introduced the  1920’s fashion of Yellow Crime Fiction booklets to Spain.  Only a few years after Mondadori in Italy,  the Barcelona publisher Molino proposed in 1933 (the year of the publishing house’s creation),  a series of Crime Fiction  pulps with yellow covers in its series Biblioteca Oro. Like the Italian series, this Spanish counterpart would become a landmark series, publishing the most representative authors in the genre.  The books were on average some 100 pages long and cost 0,90 cts.

 The first period of the series starts in 1933 and finishes in 1936, the year of the civil war.  In its original period, the series published 25 authors, accounting for 68 books (see list below).  The authors who saw the most of their books translated  in the series were Oppenheim (8), Martyn (7), Christie (6) and Van Dine (5).  Christie published there in that period the following books, whose translated title remain close to the original    (this was not always the case in French)  as can be see here : Continue reading

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Georges Simenon in Penguin

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(Click to enlarge)

A simple wordcloud, when it displays hierarchically structured information, can tell instantly something both very significant and  onerous to establish otherwise.  One would have to browse through hundreds of bibliographical data and to sort them, before being able to discover what the cloud above suggests simply and immediatly.

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The author who published the most books in the Penguin Crime Club,  the famous British pocketbooks publisher’s subseries devoted to the classics of crime fiction, is actually not  Agatha Christie, nor a member of the detection club,  nor any  British author. Neither is it one of the prolific American masters, such as Ellery Queen, or Erle Stanley Gardner. It is actually Georges Simenon, with 48 books published under the universally recognised green cover.

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