Krimi

“Hello, this is Edgar Wallace speaking” – The Rialto Film Series

 EW

   By Annika Breinig

Hallo, hier spricht Edgar Wallace,” are probably the first words that come to German minds, when they hear the name of the British author. Those lines introduce each film in a series based on Wallace’s books that was produced from the 1950s until the 1970s and televised throughout Germany. Thanks to the enduring popularity of these films among German audiences, the author enjoys a more prominent place in the cultural memory of Germany than in that of his home country. Unfortunately, Edgar Wallace himself never experienced the huge impact and success the movie adaptations achieved, since he died in 1932 Continue reading

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Deutschland: Krimiland – The crime fiction landscape in German television

 Schuld

By Annika Breinig

Germany’s television programme is overwhelmingly saturated with crime series. From the afternoon till the late night hours, a lavish bouquet of criminal stories is offered to the audience. Obviously, there are crime series from the United States, such as CSI or Navy CIS, running at prime-time and enjoying a broad fan-base. Further there are European productions, such as Sherlock from the UK, the Swedish Wallander or The Killing from Denmark, which attract a solid audience. And last but not least, there are numerous domestic productions, which range between high quality thrillers and trivial every-day crime stories. Regarding those German productions, some recent trends emerge Continue reading

German Markets: the Ullstein Yellow Series

Leroux

The Ullstein Verlag, founded in Berlin in 1877, was one of the most  active  and successful agents on the market of entertainment publications in Germany. One year after Le Masque in France, and one year before Mondadori, in Italy, it too launched a series of yellow mass market Crime Fiction books : Ullstein Gelbe Reihe was started in 1928. Continue reading