Léon Groc (1882-1956), O Segredo da Praça Maldita (La Place maudite, Le Lynx, 1941),  Lisboa, 1947

The International Circulation of Cultural Works operates like a magnetic field. Forces interact, currents drive materials in different directions, at different speed, in various magnitudes. Such effects can be observed in the reception  of French Crime Fiction authors, between the 1930’s and 1960’s, in countries like Spain, Italy and Portugal. In these countries, a secular tradition of French cultural influence offered an outlet to a French production which was at this point in time experiencing a severe  competition from the English and American markets.  There had been a  Golden Age  in French language Crime Fiction too (Simenon, Steeman, Véry, Decrest, Boileau, Nord, Vindry and others…) but it was, in most countries, overshadowed by the success of English language Golden Age crime fiction. Even on the French literary field the successful import of the Detection Club authors created  a tough competition for French authors in the thirties.  After the war, the Noir vogue would even engineered a  process of eviction of new, American or American sounding authors. Continue reading →